The child! The child! Yes, for all you artsy types, this is indeed a reference to Kurtz's exclamation in Conrad's Heart of Darkness, "The horror! The horror!" It began around the time that creature that y'all know as The Toddler discovered the joy of the outdoors. First he learned to go down the porch stairs backward on his belly, then he learned to go up them--not that he used the second talent much. He was all about staying out there on the front lawn, going up and down the path exclaiming like a mad thing and hollering as a beast wounded whenever we tried to pick him up and bring him inside. And heaven forbid we take away his stick while doing it.
It was a warm evening. The air was crisp and fresh, the Pacific Northwestern sky clear for a change. The Toddler was running to and fro down the path, waving his stick and hollering triumphantly whenever he stooped to pick up something interesting. Every so often he'd run over to me where I was sitting on the porch step and drop whatever it was he'd found into my hand.
Wednesday, May 27, 2009
Saturday, May 16, 2009
HubPages and EHow: Legit Revenue Sharing Model, No Scam
When I first started writing web content
last fall, I guessed sites like eHow and HubPages were scams. Write articles on whatever you want and earn ad revenue on them? Real moolah? Money that actually gets deposited into your PayPal account? What I've learned since then is that they're not scams.
I've been on eHow for nine months and on HubPages for about one month [note: August 8, 2009 update--I've been on HubPages now for 4 months and it's still the most profitable revenue sharing site for me. note: June 1, 2010 update - It's still the best earning of all the article sites for me. Last month, my HubPages articles topped eHow's per article earnings by about $1 per article.]
April 5, 2010 Update: eHow has just today ended their Writer's Compensation Program (WCP) for new writers. Well, not exactly ended. EHow is no longer accepting new WCP applications and any new publishing on eHow will be through Demand Studios, their partner company (both are owned by Demand Media.) Existing WCP articles will remain on the site if you choose and continue to earn money. Now back to your regularly scheduled blog post...
I've been on eHow for nine months and on HubPages for about one month [note: August 8, 2009 update--I've been on HubPages now for 4 months and it's still the most profitable revenue sharing site for me. note: June 1, 2010 update - It's still the best earning of all the article sites for me. Last month, my HubPages articles topped eHow's per article earnings by about $1 per article.]
April 5, 2010 Update: eHow has just today ended their Writer's Compensation Program (WCP) for new writers. Well, not exactly ended. EHow is no longer accepting new WCP applications and any new publishing on eHow will be through Demand Studios, their partner company (both are owned by Demand Media.) Existing WCP articles will remain on the site if you choose and continue to earn money. Now back to your regularly scheduled blog post...
Wednesday, April 8, 2009
The Curious Toddler: Teething With Emotion
Because of myriad circumstances, which I'll simply summarize as your-everyday-work-allergies-computer woes-parental exhaustion-procrastinatory issues, it's been a while since I've given an update on Junior. Not that he hasn't been update-worthy. He has. Junior was a preemie--he came weeks early and pounds smaller than his peers. He's pulled through some amazing struggles in his first year and beyond. Small but hearty, he doesn't seem impressed by the oohing and aahing of his parents over his developmental triumphs.
"Oh, darling, he just showed stubbornness! Our baby's learned stubbornness!"
"Oh, darling, he just showed stubbornness! Our baby's learned stubbornness!"
Thursday, March 5, 2009
Internet City: The Internet Made Real
Virtual reality is here. But it's not where you think it is.
In the news a few months ago was the story of the woman arrested for hacking into the account of a fellow gamer in order to "murder" his character in the virtual reality of an online role-playing game. Incensed over his character's abrupt divorcing of her character, she virtually killed him.
In the news that same week was the story of a man who purchased a virtual space station for $100,000 off of eBay. That's a pretend space station, purchased off of real eBay, for a hundred thousand real dollars, by a real person.
Then there's the true story of the woman who filed for divorce because her husband—no, pardon me, not her husband, rather her husband's virtual character—had been having an affair with another virtual character in yet another online game.
My first thought on reading these articles was, "I thought reading a mystery novel was escapist. But these online role-playing games are taking escapism to an extreme. How far we've come, to deceive ourselves so greatly about what is real."
But my next thought switched it all around. "No. These people are not losing touch with reality. They're intensely in touch with the reality of the day. The most extreme escapism that we're experiencing is not virtual reality at all. It's something else altogether. It's the Internet itself."
In the news a few months ago was the story of the woman arrested for hacking into the account of a fellow gamer in order to "murder" his character in the virtual reality of an online role-playing game. Incensed over his character's abrupt divorcing of her character, she virtually killed him.
In the news that same week was the story of a man who purchased a virtual space station for $100,000 off of eBay. That's a pretend space station, purchased off of real eBay, for a hundred thousand real dollars, by a real person.
Then there's the true story of the woman who filed for divorce because her husband—no, pardon me, not her husband, rather her husband's virtual character—had been having an affair with another virtual character in yet another online game.
My first thought on reading these articles was, "I thought reading a mystery novel was escapist. But these online role-playing games are taking escapism to an extreme. How far we've come, to deceive ourselves so greatly about what is real."
But my next thought switched it all around. "No. These people are not losing touch with reality. They're intensely in touch with the reality of the day. The most extreme escapism that we're experiencing is not virtual reality at all. It's something else altogether. It's the Internet itself."
Wednesday, February 25, 2009
Computer Still Dead: Hold, Please
I'm in the process of "upgrading" to an older workhorse computer that's never seen anyone's lap and was put together by a person who took a "LEGO" approach to computer assembly. It is, however, quite stable. And it is an upgrade in a very real sense, since it works, and my old laptop doesn't. This old desktop will mean I can once again write blog posts, not to mention earn a living. I'm blissfully expectant that given a couple of days, I'll be up and running.
Pray for me.
Pray for me.
Copyright Nerd Writer Mom 2008-2010 - All Rights Reserved
Sunday, February 22, 2009
The Ghost in the Laptop Shell: The Spill of Death
In ancient times, I used to skip along, typing away on my easy-tempered, stable desktop computer. But for the past five years now, computer time has set me in an edgy struggle with my Toshiba Satellite A-65 laptop--that clunky, slow, heavy, battery-draining, barely portable desktop replacement laptop that in no way embodies the shih tzu-like glamour that I associated with laptops as a species the day I bought it.
I used every drop of the 3-year warranty to keep my laptop alive. Between two hard drive replacements, one battery replacement, and innumerable calls to customer support, the machine has shown itself to be no placid pet--nay, but something on the order of a demon plastic poodle that lets me walk him one day and pees on my bed the next.
And then it expired--the warranty, that is--leaving me fighting a daily struggle to 'shoot the thing--troubleshoot it, I mean. Three months ago, it croaked, then was brought back on life support and has sluggishly limped along since.
Then Junior climbed up on my lap.
There's an old saying in my family--and yours, yes?--about never crying over spilled milk. I wonder if my mother, spouting off such wisdom in times afore laptop keyboard vulnerability even existed, had any idea what Vitamin D homogenized can do to a laptop computer that really wasn't designed to ingest cow's milk.
I sit here on my husband's computer, looking over at the laptop-that-will-not-be-booted, and I wonder if I can blame my toddler son. Though it was mine arm that knocked the box of Wheat Thins into the bottle of milk and splashed the milk onto the arrow buttons of the laptop, he did--he must have--altered my center of balance somehow. I certainly don't recall Junior's raising a protest as I flung everything away, turned the laptop up and down, and shook it like a mostly-empty ketchup bottle. No, he just stood by, watching with interest as I pulled that final trigger on the ailing-but-might-have-been-recoverable laptop nightmare-thing.
That was yesterday. You know, we regret a lot of things in life--mistakes we made, paths we unknowingly took that led us in unalterable directions--but my biggest regret right now is that I didn't let that laptop know, in actions if not in words, how I appreciated what it did do for me (albeit reluctantly and with a machine-like malice) when I had the chance. I've been living half off my external hard drive, working on the laptop only when I absolutely had to, and generally assuming it was all but toast.
And now that the laptop really is toast, I wish I'd been better to it. I wish I'd given it a new fan when it was getting overheated, maybe not let my husband loose with an air compressor on it the second time, and thought it worthy of updating Malwarebytes on its behalf. And I really, really, really wish I'd copied the last week's files onto my external hard drive.
I used every drop of the 3-year warranty to keep my laptop alive. Between two hard drive replacements, one battery replacement, and innumerable calls to customer support, the machine has shown itself to be no placid pet--nay, but something on the order of a demon plastic poodle that lets me walk him one day and pees on my bed the next.
And then it expired--the warranty, that is--leaving me fighting a daily struggle to 'shoot the thing--troubleshoot it, I mean. Three months ago, it croaked, then was brought back on life support and has sluggishly limped along since.
Then Junior climbed up on my lap.
There's an old saying in my family--and yours, yes?--about never crying over spilled milk. I wonder if my mother, spouting off such wisdom in times afore laptop keyboard vulnerability even existed, had any idea what Vitamin D homogenized can do to a laptop computer that really wasn't designed to ingest cow's milk.
I sit here on my husband's computer, looking over at the laptop-that-will-not-be-booted, and I wonder if I can blame my toddler son. Though it was mine arm that knocked the box of Wheat Thins into the bottle of milk and splashed the milk onto the arrow buttons of the laptop, he did--he must have--altered my center of balance somehow. I certainly don't recall Junior's raising a protest as I flung everything away, turned the laptop up and down, and shook it like a mostly-empty ketchup bottle. No, he just stood by, watching with interest as I pulled that final trigger on the ailing-but-might-have-been-recoverable laptop nightmare-thing.
That was yesterday. You know, we regret a lot of things in life--mistakes we made, paths we unknowingly took that led us in unalterable directions--but my biggest regret right now is that I didn't let that laptop know, in actions if not in words, how I appreciated what it did do for me (albeit reluctantly and with a machine-like malice) when I had the chance. I've been living half off my external hard drive, working on the laptop only when I absolutely had to, and generally assuming it was all but toast.
And now that the laptop really is toast, I wish I'd been better to it. I wish I'd given it a new fan when it was getting overheated, maybe not let my husband loose with an air compressor on it the second time, and thought it worthy of updating Malwarebytes on its behalf. And I really, really, really wish I'd copied the last week's files onto my external hard drive.
Copyright Nerd Writer Mom 2008-2010 - All Rights Reserved
Friday, February 20, 2009
Me, Plagiarize? There Are Only So Many Ways to Say It and Other Myths
Having recently joined the honored multitude of plagiarized writers on the Web, I was intrigued when the subject of plagiarism cropped up again in my life, and so soon. It turns out eHow writers are up-in-arms because eHow has kicked up their plagiarism software a notch. A number of writers' articles are being removed for being copycats of each other.
Thursday, February 19, 2009
Plagiarized! The Triumphant Story of One Writer's Recovery from Intellectual Property Theft, Kinda-Sorta
I'd been looking forward to this day ever since I wrote and published tons of eHow articles on the Web. But I didn't expect it to come so soon.
Mind you, I'm no raw chicken. I've been plagiarized before...as part of an en masse plagiarism extravaganza. Not till now, though, was I singled out. They could have linked to my article. They could have asked permission. But instead they snuck into my eHow page, saw my article, fell in love with it, snatched it and fled.
Mind you, I'm no raw chicken. I've been plagiarized before...as part of an en masse plagiarism extravaganza. Not till now, though, was I singled out. They could have linked to my article. They could have asked permission. But instead they snuck into my eHow page, saw my article, fell in love with it, snatched it and fled.
Wednesday, January 21, 2009
Yojimbo Rewound: Samurai Baby
We were not going to let him watch TV.
We swore this, not just because the books warned us against the dire effects of TV watching on infants, but because we ourselves hardly watch any TV. In fact, what we do watch these days tends to be limited to old Akira Kurosawa samurai movies and science fiction adventure movies.
We were good, and we were good. Our TV rested dormant as our ancient VCR sat gathering dust, used only as the occasional distraction by our toddler who liked to experiment with trying to reach the buttons.
And then, one day we broke down. We popped in a casette of Yojimbo, the classic Akira Kurosawa film that A Fist Full of Dollars was based on. (Clint Eastwood? Spaghetti western? Ring a bell, yes?)
We swore this, not just because the books warned us against the dire effects of TV watching on infants, but because we ourselves hardly watch any TV. In fact, what we do watch these days tends to be limited to old Akira Kurosawa samurai movies and science fiction adventure movies.
We were good, and we were good. Our TV rested dormant as our ancient VCR sat gathering dust, used only as the occasional distraction by our toddler who liked to experiment with trying to reach the buttons.
And then, one day we broke down. We popped in a casette of Yojimbo, the classic Akira Kurosawa film that A Fist Full of Dollars was based on. (Clint Eastwood? Spaghetti western? Ring a bell, yes?)
Sunday, January 11, 2009
Using Creative Commons Photos on the Internet: Intellectual Property Rights in Transition
The questions pop up frequently on the eHow forums, HubPages forums and other writing and webmaster sites.
Is it OK to use any photo I find on the Internet? If I find a photo in the Google Image Search (TM), can I use it any way I want? On Flickr? If I find a Creative Commons photo, can I change it or post it on my Web page? How do I find out what kind of license a Creative Commons photo has? How do I know what license protects a photo I find on the Web?
The answers are rarely what you want to hear. You can't use just any photo you find on the Internet. You can't use just any image you find on the Google Image Search (TM), Flickr, Yahoo!, or any photo sharing site. You need permission to use them. Permission may be granted by licenses stated explicitly on the photo sharing site. Permission may have to be requested. But even then, it's not that simple.
The rules for intellectual property of photos are much the same as the rules for intellectual property regarding text. You need to hunt down permissions. You must hunt down who owns the copyright and what, if any, rights the creator is offering. Often the rights offered don't allow commercial use and don't allow you to modify the work. Sometimes it's obvious; more often, it's not.
Although I'm not a lawyer, I am familiar with some of the basics of intellectual property law regarding using images online in the U.S. The most common infraction I see on the Internet is people taking photos from a website - an e-commerce site, usually, but others, too - and putting the photos up on their blog or website along with a photo credit and maybe even a link, reasoning "It's okay as long as I credit them. And besides, the photographer is glad of the exposure."
Neither is true. You need either explicit permission from the owner of the photograph (and that owner may not actually be the e-commerce site itself) or you need to establish that the appropriate rights are associated with the photo and that you are doing everything you need to do to use the photo legally. For example, if you use a photo on Flickr that has a Creative Commons License, it doesn't necessarily mean that you can use the photo. You must understand the different types of Creative Commons licenses and then do your part to include the necessary credits, use the photo only according to the rights the owner of the photo grants, and so on.
The second most common infraction I see is people assuming it's okay to post on their own website, article page, or web page a photo or image they downloaded at a photo sharing site like Flickr or Wikimedia even when it doesn't offer rights for commercial use. Not all use of images is commercial, true. But these people think that putting the image onto an article page with ads isn't the same as using images for commercial use. That's wrong. It is commercial use to put up a photo on a hub at HubPages that has ads, for example, or on an article at Suite101, or on an article at eHow.
What is commercial use? I'm not a lawyer and if I try to define it for you, I'd get into territory I have no business going. But trust me - putting an image up on a page that will earn you money by advertising or affiliate links is commercial use. Don't do it unless the rights granted you to use the photo include commercial use.
All this can be terribly discouraging and confusing for website owners and online content writers who act in good faith to not go against the intellectual property rights of photographers.
I used to have an example here of one confusing search using the search Creative Commons function. The confusion's since been fixed, it appears - yay! But the whole thing remains a confusing mess and the only way to do the right thing is to study the rules. Basically, if you want to use somebody else's work on the Internet to make money for yourself, you'll need to understand the licenses very well. That's part of your job.
Whenever you find a page like this fabulous one describing how to use Creative Commons Images from Flickr, you feel lucky - it explains at least some information about interpreting the licensing code for Flickr photos and Flickr images. But mostly, you have to piece together the info like the veriest usage license detective.
It gets even trickier when you talk about a site like eHow. EHow uses the content of hundreds of thousands of users on its site. It accepts text content, video, and images. In its terms of use, it lays down the law: you must own or legitimately lease or borrow the rights to all content that you post.
Now, consider this. Many eHow contributors take their own photos or create their own images. Others get permission to use photos on eHow. Many eHow members pay for the use of photos. But even when you pay, you may not always have the right to display the photo on eHow.
Why not? The terms of certain photo sharing sites state that the paying user can publish the photos, but not modify them, or in other cases transfer them to a third party that will distribute them. EHow states in their Terms of Use:
"You hereby grant eHow a worldwide, royalty-free, freely transferable, freely sublicensable (through unlimited levels of sublicense), non-exclusive license to use, reproduce, modify, transmit, distribute, [my emphasis] publicly perform and display (including in each case by means of a digital audio transmission), and create derivative works of the Content, in any form, media, or technology now known or later developed."
EHow is reserving the right to use the content - for content, read text, video, and photos - almost any way they want. So in some cases, even using photos that you've paid to use by publishing them on eHow instead of your own site may be a bad idea.
What's more, if a photo features a person's image, then that person may have certain rights, such as model rights / personality rights, not to have that photo published. In the UK and other countries, there may be the potential issue of defamation if the photo is used in a way other than what is intended. The person in the photograph may have released the right to publish the work bearing their image...or not. The rules are complex. Wikimedia Commons touches on these issues here in this article on using images from Wikimedia.
Seem like there are no simple answers? There aren't. Even lawyers don't agree on a number of intellectual property issues. The problem is that the Internet is changing the way we treat intellectual property. We're living in a period that later will be viewed as a time of radical transition.
Traditional trademark, patent, copyright, and other intellectual property issues are based on a world of tangible media, finite publication, slow development processes, and easy identifiers. The Internet is a world of virtual media, eternal publication, rapid development, and diffused identifiers. What this means for intellectual property is hard to tell. But I sure would like to be around in fifty years to see what it's like.
Is it OK to use any photo I find on the Internet? If I find a photo in the Google Image Search (TM), can I use it any way I want? On Flickr? If I find a Creative Commons photo, can I change it or post it on my Web page? How do I find out what kind of license a Creative Commons photo has? How do I know what license protects a photo I find on the Web?
The answers are rarely what you want to hear. You can't use just any photo you find on the Internet. You can't use just any image you find on the Google Image Search (TM), Flickr, Yahoo!, or any photo sharing site. You need permission to use them. Permission may be granted by licenses stated explicitly on the photo sharing site. Permission may have to be requested. But even then, it's not that simple.
The rules for intellectual property of photos are much the same as the rules for intellectual property regarding text. You need to hunt down permissions. You must hunt down who owns the copyright and what, if any, rights the creator is offering. Often the rights offered don't allow commercial use and don't allow you to modify the work. Sometimes it's obvious; more often, it's not.
Although I'm not a lawyer, I am familiar with some of the basics of intellectual property law regarding using images online in the U.S. The most common infraction I see on the Internet is people taking photos from a website - an e-commerce site, usually, but others, too - and putting the photos up on their blog or website along with a photo credit and maybe even a link, reasoning "It's okay as long as I credit them. And besides, the photographer is glad of the exposure."
Neither is true. You need either explicit permission from the owner of the photograph (and that owner may not actually be the e-commerce site itself) or you need to establish that the appropriate rights are associated with the photo and that you are doing everything you need to do to use the photo legally. For example, if you use a photo on Flickr that has a Creative Commons License, it doesn't necessarily mean that you can use the photo. You must understand the different types of Creative Commons licenses and then do your part to include the necessary credits, use the photo only according to the rights the owner of the photo grants, and so on.
The second most common infraction I see is people assuming it's okay to post on their own website, article page, or web page a photo or image they downloaded at a photo sharing site like Flickr or Wikimedia even when it doesn't offer rights for commercial use. Not all use of images is commercial, true. But these people think that putting the image onto an article page with ads isn't the same as using images for commercial use. That's wrong. It is commercial use to put up a photo on a hub at HubPages that has ads, for example, or on an article at Suite101, or on an article at eHow.
What is commercial use? I'm not a lawyer and if I try to define it for you, I'd get into territory I have no business going. But trust me - putting an image up on a page that will earn you money by advertising or affiliate links is commercial use. Don't do it unless the rights granted you to use the photo include commercial use.
All this can be terribly discouraging and confusing for website owners and online content writers who act in good faith to not go against the intellectual property rights of photographers.
I used to have an example here of one confusing search using the search Creative Commons function. The confusion's since been fixed, it appears - yay! But the whole thing remains a confusing mess and the only way to do the right thing is to study the rules. Basically, if you want to use somebody else's work on the Internet to make money for yourself, you'll need to understand the licenses very well. That's part of your job.
Whenever you find a page like this fabulous one describing how to use Creative Commons Images from Flickr, you feel lucky - it explains at least some information about interpreting the licensing code for Flickr photos and Flickr images. But mostly, you have to piece together the info like the veriest usage license detective.
It gets even trickier when you talk about a site like eHow. EHow uses the content of hundreds of thousands of users on its site. It accepts text content, video, and images. In its terms of use, it lays down the law: you must own or legitimately lease or borrow the rights to all content that you post.
Now, consider this. Many eHow contributors take their own photos or create their own images. Others get permission to use photos on eHow. Many eHow members pay for the use of photos. But even when you pay, you may not always have the right to display the photo on eHow.
Why not? The terms of certain photo sharing sites state that the paying user can publish the photos, but not modify them, or in other cases transfer them to a third party that will distribute them. EHow states in their Terms of Use:
"You hereby grant eHow a worldwide, royalty-free, freely transferable, freely sublicensable (through unlimited levels of sublicense), non-exclusive license to use, reproduce, modify, transmit, distribute, [my emphasis] publicly perform and display (including in each case by means of a digital audio transmission), and create derivative works of the Content, in any form, media, or technology now known or later developed."
EHow is reserving the right to use the content - for content, read text, video, and photos - almost any way they want. So in some cases, even using photos that you've paid to use by publishing them on eHow instead of your own site may be a bad idea.
What's more, if a photo features a person's image, then that person may have certain rights, such as model rights / personality rights, not to have that photo published. In the UK and other countries, there may be the potential issue of defamation if the photo is used in a way other than what is intended. The person in the photograph may have released the right to publish the work bearing their image...or not. The rules are complex. Wikimedia Commons touches on these issues here in this article on using images from Wikimedia.
Seem like there are no simple answers? There aren't. Even lawyers don't agree on a number of intellectual property issues. The problem is that the Internet is changing the way we treat intellectual property. We're living in a period that later will be viewed as a time of radical transition.
Traditional trademark, patent, copyright, and other intellectual property issues are based on a world of tangible media, finite publication, slow development processes, and easy identifiers. The Internet is a world of virtual media, eternal publication, rapid development, and diffused identifiers. What this means for intellectual property is hard to tell. But I sure would like to be around in fifty years to see what it's like.
Copyright Nerd Writer Mom 2008-2010 - All Rights Reserved
Saturday, December 20, 2008
Be a Perfectionist: Self Critique Your Writing
If you're like the rest of us fiction writers, then in that moment after finishing a story, you tend to sit back and beam with pride. "It's perfect. Here, world. Take it and love it. I do."
That moment of self-satisfaction lasts maybe a minute...maybe a week. You continue to enjoy the illusion that your writing glistens in gold font on that screen--until you manage to look at your manuscript again, this time with a more objective eye. Hmmm, you think. Maybe it's not so perfect after all. Maybe it needs some work.
Before your manuscript is ready to submit to publishers, you'll need to revise or rewrite portions of your gift unto the world into something the world has a hope of understanding.
Unfortunately, you've stared at your own manuscript for hours on end, day after day, week after week, until you can't see what's wrong with it. So often have you looked at the words you've written that they flow into your brain not from the page, but from memory. You see all your ideas, all the words you thought of saying and might have said--but not your actual execution.
To critique your own writing, first and foremost you need to be able to look at your manuscript not with a writer's eye, but with a reader's eye. You need to be able to see your story not as the one who loves it and was intimately involved with it, but as one who has no stake in it. You need to become objective.
To do that, change the font on your manuscript to something you've never used before. Reformat the piece with justified margins. Change the line spacing. Print it out. Then put it aside for as long as you can bear to. Come back to it in a week, a month, or even longer if you can, this time with the eye of a stranger.
When you've got that critical gaze focused on your manuscript, ask yourself what works and what doesn't. The merest inkling that something isn't working is a red flag to revise.
Notice your characters. Are they as charming as you thought they were, or are they annoying and unlikable? Notice your plot. Does it unfold in a natural, inevitable way, or does it seem forced? Read through your descriptions of settings and characters. Do you see an image in your head, or is the description too vague to elicit anything but confusion?
Look at your prose. Is it slow reading in places? Notice section transitions. Are they smooth and natural, or jagged and sudden? Mark up any awkward spots that make you stop and re-read. Mark up everything. The harsher a critic you are now, the less an editor and your readers will have to be critical about later.
Don't be afraid to throw out words. Don't be afraid to discard paragraphs, chapters. In the end, writing is about falling in love with your words; self-critiquing is about divorcing yourself from them; and rewriting, the next step, is about reconciliation.
That moment of self-satisfaction lasts maybe a minute...maybe a week. You continue to enjoy the illusion that your writing glistens in gold font on that screen--until you manage to look at your manuscript again, this time with a more objective eye. Hmmm, you think. Maybe it's not so perfect after all. Maybe it needs some work.
Before your manuscript is ready to submit to publishers, you'll need to revise or rewrite portions of your gift unto the world into something the world has a hope of understanding.
Unfortunately, you've stared at your own manuscript for hours on end, day after day, week after week, until you can't see what's wrong with it. So often have you looked at the words you've written that they flow into your brain not from the page, but from memory. You see all your ideas, all the words you thought of saying and might have said--but not your actual execution.
To critique your own writing, first and foremost you need to be able to look at your manuscript not with a writer's eye, but with a reader's eye. You need to be able to see your story not as the one who loves it and was intimately involved with it, but as one who has no stake in it. You need to become objective.
To do that, change the font on your manuscript to something you've never used before. Reformat the piece with justified margins. Change the line spacing. Print it out. Then put it aside for as long as you can bear to. Come back to it in a week, a month, or even longer if you can, this time with the eye of a stranger.
When you've got that critical gaze focused on your manuscript, ask yourself what works and what doesn't. The merest inkling that something isn't working is a red flag to revise.
Notice your characters. Are they as charming as you thought they were, or are they annoying and unlikable? Notice your plot. Does it unfold in a natural, inevitable way, or does it seem forced? Read through your descriptions of settings and characters. Do you see an image in your head, or is the description too vague to elicit anything but confusion?
Look at your prose. Is it slow reading in places? Notice section transitions. Are they smooth and natural, or jagged and sudden? Mark up any awkward spots that make you stop and re-read. Mark up everything. The harsher a critic you are now, the less an editor and your readers will have to be critical about later.
Don't be afraid to throw out words. Don't be afraid to discard paragraphs, chapters. In the end, writing is about falling in love with your words; self-critiquing is about divorcing yourself from them; and rewriting, the next step, is about reconciliation.
Copyright Nerd Writer Mom 2008-2010 - All Rights Reserved
Sunday, November 30, 2008
Our Doom is Upon Us: The Baby Took His First Steps
Only that. The baby took his first steps. We're doomed. There's really nothing else to tell.
Except - wait. There is something.
Except - wait. There is something.
Friday, November 21, 2008
Good Characterization in Writing Fiction: Banishing the On/Off Character
It's been a spell since I posted any fiction writing tips. My writing tips are, incidentally, for beginning writers as well as intermediate and advanced writers. Although I like to blab on about plot, POV (which stands for point of view), characterization, conflict, and all the usual stuff, I don't generally go down the usual, obvious, generic paths of advice. I'm more about going through the side roads and back roads of technique...and coming out at a familiar intersection, where you cry, "Hey, so that's how that's done!"
I'm a big one for character-driven stories, so today's focus is on a common characterization mistake made by both beginning and advanced writers, and recommendations for avoiding the pitfalls.
But first, let's do definitions. Good characterization means many things to many people. Some take it to imply sufficient character development, which is the changing of your characters over the course of the story. Others believe good characterization refers to the process of "fully realizing" the characters' personalities--making the characters come alive on the page.
My take on good characterization is that it's anything in the story that allows your readers to identify with the characters. Anything that makes your readers feel they "know" a character, whether it's a major or minor character, is good characterization.
So one of the biggest problem I see with characterization in stories is the on/off character. The on/off character is one who acts in character one minute, then flips over and becomes Ms. Generic at another time when she SHOULD be acting in character.
A character lives and breathes for your reader not just when she's doing story-driven things--like plotting against another character--but when she's eating lunch, driving in her car, or getting dressed in the morning. Yet writers often miss myriad opportunities to breathe life into their characters.
Show who your characters are all the time. You don't need to go overboard. But never let your reader forget who is doing what. Situate your reader in the room with your characters where they can recognize one by her posture, another by his way of speaking, another by her hairstyle.
Don't be afraid of adverbs. Don't overuse them, but don't fear them. Adverbs are your friends when it comes to quick-and-light characterization.
just doesn't pack the same punch as
Take advantage of any opportunity to characterize, so long as it comes at the right time, it's appropriate to the story, and it doesn't seem an outright intrusion in the text.
Don't write:
but rather,
Finally, it's OK to turn off your character's character if your reader's focus is elsewhere. Just as your reader would only focus on certain people in the room at a certain time, she only needs to focus on certain characters at any given time.
And again, don't go overboard. This post isn't a recommendation to repeat yourself, to use "tiredly" over and over until your reader feels positively accosted by the fact that Mother is tired.
I'm suggesting you round your characters out so well, and color in all your characters' different shades so thoroughly, and outline so many of your characters' subtle quirks, and show how your characters look standing before that background, that your reader can't miss 'em.
Comments? Opinions? Dissent?
I'm a big one for character-driven stories, so today's focus is on a common characterization mistake made by both beginning and advanced writers, and recommendations for avoiding the pitfalls.
But first, let's do definitions. Good characterization means many things to many people. Some take it to imply sufficient character development, which is the changing of your characters over the course of the story. Others believe good characterization refers to the process of "fully realizing" the characters' personalities--making the characters come alive on the page.
My take on good characterization is that it's anything in the story that allows your readers to identify with the characters. Anything that makes your readers feel they "know" a character, whether it's a major or minor character, is good characterization.
So one of the biggest problem I see with characterization in stories is the on/off character. The on/off character is one who acts in character one minute, then flips over and becomes Ms. Generic at another time when she SHOULD be acting in character.
A character lives and breathes for your reader not just when she's doing story-driven things--like plotting against another character--but when she's eating lunch, driving in her car, or getting dressed in the morning. Yet writers often miss myriad opportunities to breathe life into their characters.
Show who your characters are all the time. You don't need to go overboard. But never let your reader forget who is doing what. Situate your reader in the room with your characters where they can recognize one by her posture, another by his way of speaking, another by her hairstyle.
Don't be afraid of adverbs. Don't overuse them, but don't fear them. Adverbs are your friends when it comes to quick-and-light characterization.
"Go to bed," Mother said.
just doesn't pack the same punch as
"Go to bed," Mother said tiredly.
Take advantage of any opportunity to characterize, so long as it comes at the right time, it's appropriate to the story, and it doesn't seem an outright intrusion in the text.
Don't write:
"Darling," said George, "Would you marry--"
"What would you like?" the waitress interrupted them, wearing a whimsical expression, as though she were thinking of a place far different from her humdrum life.
"Fat-free salad with fat-free dressing," Eunice said gaily. "You were saying, George?"
but rather,
"Darling," said George, "Would you marry--"
"What would you like?" the waitress interrupted them with gum-chewing insensitivity.
Eunice glared at her, bit out, "Fat-free salad with fat-free dressing," and looked at George eagerly. "You were saying?"
Finally, it's OK to turn off your character's character if your reader's focus is elsewhere. Just as your reader would only focus on certain people in the room at a certain time, she only needs to focus on certain characters at any given time.
And again, don't go overboard. This post isn't a recommendation to repeat yourself, to use "tiredly" over and over until your reader feels positively accosted by the fact that Mother is tired.
I'm suggesting you round your characters out so well, and color in all your characters' different shades so thoroughly, and outline so many of your characters' subtle quirks, and show how your characters look standing before that background, that your reader can't miss 'em.
Comments? Opinions? Dissent?
Copyright Nerd Writer Mom 2008-2010 - All Rights Reserved
Thursday, November 13, 2008
Da-da-da-DAMN. And Mama.
I was hoping to have an update for you on Junior's toddler adventures. So far, the biggest thing that's come out of his new venture in cling-walking is our bemusement over how many things are actually at a level of about twenty-four inches off the ground.
Drawers, laser printers, tabletops and their contents--or, let's be accurate--former contents, having been swept onto the carpet by an experimental hand. But that's all good. Those tabletops needed a good clearing, so I'm taking it as a positive sign of his wanting to help with housework.
Drawers, laser printers, tabletops and their contents--or, let's be accurate--former contents, having been swept onto the carpet by an experimental hand. But that's all good. Those tabletops needed a good clearing, so I'm taking it as a positive sign of his wanting to help with housework.
Tuesday, November 4, 2008
Barack Obama Elected First African-American President - But Wait! There's More!
Last night, when I clicked on Google News (TM) and found myself staring at headlines that screamed out the forecasted election results--that Barack Hussein Obama II had been elected the 44th President of the United states--something odd happened.
I got swept up.
I'm not a black-and-white person--about politics, ethnicity, coffee, or anything else. To me, the world is filled with grays, tints, and shades that defy a simple analysis. I have trouble seeing the black and white that folks like to talk about, when the only black and white I see are outlines.
Already, everybody's talking about how historic this is--to have a man of African American descent entering the White House in January. And I see this. Oh, yes, it is historic. It's unprecedented. Clearly.
But to me the real impact of this election is that the U.S. elected a President born to a native of Kenya and a native of Kansas, a graduate of Harvard and a law professor who's admitted to moral mistakes, a man who could be described as an orphan or privileged, as savvy or idealistic. In other words, our President-to-be has not only demographics, but also a personal background unlike that of anybody else who's sat in the Oval Office. Which means we don't know what will happen.
I'm swept away because, for the first time that I can remember, I don't know what I'm seeing. We have no precedent. And it's a strange feeling.
Now, back to your regularly scheduled blog.
I got swept up.
I'm not a black-and-white person--about politics, ethnicity, coffee, or anything else. To me, the world is filled with grays, tints, and shades that defy a simple analysis. I have trouble seeing the black and white that folks like to talk about, when the only black and white I see are outlines.
Already, everybody's talking about how historic this is--to have a man of African American descent entering the White House in January. And I see this. Oh, yes, it is historic. It's unprecedented. Clearly.
But to me the real impact of this election is that the U.S. elected a President born to a native of Kenya and a native of Kansas, a graduate of Harvard and a law professor who's admitted to moral mistakes, a man who could be described as an orphan or privileged, as savvy or idealistic. In other words, our President-to-be has not only demographics, but also a personal background unlike that of anybody else who's sat in the Oval Office. Which means we don't know what will happen.
I'm swept away because, for the first time that I can remember, I don't know what I'm seeing. We have no precedent. And it's a strange feeling.
Now, back to your regularly scheduled blog.
Copyright Nerd Writer Mom 2008-2010 - All Rights Reserved
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